Here is another report on traveling with instruments.
Here are two excerpts from the comment section;
Like Ms Morneweg, I am a cellist. I am travelling to Germany tomorrow to rehearse for a premiere of a new cello concerto, written for me, at the Salzburg Festival on Tuesday. I cannot cancel, because no-one else has learnt this concerto; I cannot put my priceless 18-century Italian cello in the hold - it would not be insured in there (as far as I know) and besides, to risk the desecration of such an irreplaceable work of art would be irresponsible and wrong. So I am taking the train tomorrow - a 10-hour ride, as opposed to the one-hour flight.
Steven Isserlis CBE, London, UK
and
I am now a second year cellist at a conservatory. Due to financial limits, I cannot afford to buy a seperate seat for my cello when I travel between school and home, and often pay the consequences: on one trip, a new, $1000 cello case I had recently purchased appears to have had someone in security try to pry the two halves apart, mangling the alignment of the case. This likely continued until someone realized that the case might more easily be opened by unhooking the snaps, which I left unlocked in case the case was searched. It would seem that there has been too little policy issued or consideration taken for what to do with instruments and instrument cases. Hopefully, incidents of such blatant abuse are rare. However, with increased security searches, it appears that musicians will continue to suffer a higher incidence of instrument mistreatment.
Edward Vigneau, Huntington, USA
Monday, August 14, 2006
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